Observer Life

All to this surrender universopara to try the great influence of its workmanships on the pblicoleitor or, simply, to be awarded for a ouvisita commentary that it of stimulaton for the composition of one another page. Pormeio of this tool of communication, Brazil if discloses as one pasde reading of poets, contistas and cronistas as much how much not to podamosimaginar. Taking care of to the new demand of literary and cintfica production, WEB oportuniza arrived of great talentos at the global sphere almost queimediatamente. New writers and new writers, having very queaprender, but dividing, democratically, the same inclusion space. Yes, because he this way has those that are giving to the first steps literary naproduo; they say: ' ' Bruno, gives one looked at and aqui says if this to me a poem mesmo' ' ; another one: ' ' It is a chronicle what I wrote or a story? ' ' ; ' ' This text serves to the New Coletnea? ' ' Optimum it is that all we are learning with this new reality.

I believe that an error would be an immense precipitation to judge the virtual processes deproduo, aculturalizao, a banalizaocultural. It wanted to see Brazil reading and today I see it going more beyond. um Brazil that reads and that it writes more. I speak exactly for me, agoraescrevo more, much more As professor of the public net, cujosalrio abens of consumption would hinder the access to any book at the cost of the extremely necessary abstinence, the eliterria digital inclusion propitiated for the net it has me fact, despite still algumaslimitaes, a happyer person and a renewed professional more. Amolivros, I love the text, I believe that much we have to improve, however, I recognize in these new times the great chance to serevolucionar the agreement and to form beneficial alliances for the futuroeducacional of the country.

For Saussure, nothing it has on this side of verbal of the synthesis thought-sound, nor beyond it. The sound in itself and the thought in itself exceed the language. The experience, however, sample that the poetry lives in border state, between the thought and the sound. In the poem, force the sign for the kingdom of the sound. It constitutes a historical and social phenomenon, the conjunction of certain thoughts the certain sounds. In the theory of Saussure, that is called ' ' arbtrio' ' , that is, without advance warning the sign can become unrecognizable, or can remain in a state for a long time. Bosi, says that the sign does not behave as a fixed species of the vegetal world, as for example, a samambaia, that if reproduces identical in our planet has three hundred million years.

Its value is selected accurate in a context. the connotations penetrate that it are, almost always, ideological. In second estrofe, of the second part, Gilbert Mendona Teles, makes aluso to the work of the poet, this is not simple, is arduous, is suffered, is needed to wait its determined time, not it as if to hurry a poetry, however without the research, without if perscrutar the winding ways of the words, it is not obtained to arrive the satisfactory work. Nor river that if makes In river of toy impure steel Sword Between the prudence and the hand. Sword of so curve That the contact of the afternoon Hoops in the horizon, Nothing that only could Be used its landing to launch in the space a penumbra cone, and that the time of a Lighted light bulb in the memory lasted only. ' ' The time of a light bulb has access in memria' '. How much work, quanta research had been necessary to arrive itself at this accurate moment, where the poet is rewarded by its diligent work, the composition of the poetry.

Analysis of the workmanship ' ' The crime of the Amaro&#039 priest; ' , of Ea de Queirs, on the basis of the following proposal of Antonio Hail: ' ' It is with an analogous and desconfortvel contraction of vsceras that Ea morally places in them before nauseantes and terrificamente grotescas situations, making to share us of the perplexidades cowards, of the terrified remorsos of some bourgeois or aristocratic personages: situations of incest, adultery, of sunk respeitabilidade, vileness almost mtica.' ' The crime of the Priest I land on water, of Ea de Queirs, is of realistic characteristic for making with that the reader if mainly involves in all history of the book presenting descriptions and for provoking the church and to bourgeois of the time bringing to tona its true interests. The crime of the Priest I land on water possesss a transforming character for reaching the society showing its imperfections and causing an indignation in the reader so that of this form it changes its behavior. Ea makes critical forts to the society and to corrupt priests who always act in favor of its proper one welfare. Ea if worries about the loss of the good ethical values and moral of its society and therefore it shows in its workmanship this hidden truth, with an incredible realism. Ea in the sample with clarity in all the workmanship the true intentions of the priests, notices in these removed stretches of the workmanship for one better agreement: ' ' E, not to be some worshippers, all, or inhaling to the priesthood or to the secular destinations, wanted to leave the narrowness of the seminary to eat well, to gain money and to know mulheres' ' (pg.46) and ' ' They made plans, calculating the height of the windows, the peripcias of the black night for the black ways; they foresaw balconies of taverns where if it drinks, billiards rooms, hot alcoves of mulheres' ' (pg.46). .